After a discussion we decided it would make more sense if I started on the sound design while the music is being completed... since I finish the editing work really fast and the book is done... I'm starting on the sound design... the first thing I do is break the film down into locations... then make sound lists for the ambient sounds needed for each location... for the sound "beds" for each set... this is like the never-ending ambient sound to lay behind the music, dialogue, and hard fx to fill things out... it ends up being things like wind, torch sounds, crickets etc....
M dot Strange Sound DesigneR?
M dot Strange Sound DesigneR?
M dot Strange Sound DesigneR?
After a discussion we decided it would make more sense if I started on the sound design while the music is being completed... since I finish the editing work really fast and the book is done... I'm starting on the sound design... the first thing I do is break the film down into locations... then make sound lists for the ambient sounds needed for each location... for the sound "beds" for each set... this is like the never-ending ambient sound to lay behind the music, dialogue, and hard fx to fill things out... it ends up being things like wind, torch sounds, crickets etc....